Features
Did Gen Z Kill the ‘Mean Girl’?
2022’s Not Okay begins with a bold statement plastered across the screen in ...
Features
A Coming of Age: ‘Freaks and Geeks,’ and Storytelling Through Music
We all know that feeling of being sixteen and trying to find your ...
Features
The Sensitive Side of ‘What We Do in the Shadows’ Laszlo Cravensworth
An analysis of What We Do in the Shadows Laszlo Cravensworth and what ...
Announcements
Film Cred Revue – Episode 27: The End of Succession
Jael and Anna McKibbin talk all about the finale of 'Succession' and more!
Features
‘Madam Secretary’ and the Ethics of Aspirational Politics
Cassie Mattheis explores how 'Madam Secretary' portrays a "people-over-politics" fantasy.
Features
One More Time with Feeling: ‘Irma Vep’ and the Radical Remix of ‘Les Vampires’
Olivier Assayas' 'Irma Vep' miniseries "finds beauty in the fact that old things ...
Features
Finding America in ‘Deadwood’
David Milch's 'Deadwood' tells the tale of America and "how people build institutions ...
Features
‘Single Drunk Female’ and the Truth About Sobriety
An analysis and celebration of the series Single Drunk Female's depiction of sobriety ...
Features
The New Queerness of Young Adult Television
The evolution of queer characters and LGBTQ+ representation in young adult targeted television ...
Features
Cassian Andor: Revolutionary
Nathaniel Kim argues Cassian Andor's journey towards radicalization in 'Andor' reflects the paths ...
