Bo Burnham’s Eighth Grade and What it Means to Feel Shame
Feelings of shame have always been tightly bound to my soul and I won’t lie, ...
Featured
Features
‘The Dreamers’: On Youth, Film, and Illusion
Pacia reflects on Bernardo Bertolucci’s 2003 film 'The Dreamers' and its "meditation on ...
Features
I Don’t Think About You at All: What ‘Mad Men’ Taught Me About Twitter
Through 'Mad Men' Rory explore his relationship with Twitter, where you "compare your ...
Features
‘10 Things I Hate About You’ and the Nuances of Being a Teenager
Over 20 years later, '10 Things I Hate About You' and its complex ...
Features
The Greatest Comedic Tragedy: How ‘Harold and Maude’ Redefined Holocaust Humor
Hal Ashby's 'Harold and Maude' depicts "the transformative and revolutionary nature of comedy" ...
Features
Why Do We Shame Women for Identifying With Amy Dunne?
Amy Dunne is not a feminist icon. But she’s not trying to be ...
Features
‘Crank’ is Electric, and It Will Never Be Made Again
Mark Neveldine and Brian Taylor's 'Crank' is "one of a kind," and while ...
Features
‘Stalker’: Searching for Meaning in Tarkovsky’s Philosophical Maze
Guillermo examines Tarkovsky's sci-fi classic 'Stalker,' arguing that its search for meaning is ...
Features
‘Petite Maman’ and the Inner Child
Pauline Sauz explores the comfort and healing that comes with the exploration of ...
Features
The Unexpected Pregnancy in ‘The Lost Daughter’
Maggie Gyllenhaal uses a little girl’s doll to highlight "two women coming to ...
Features
Groundhog Day: A Perfect Symbiosis Between Philosophy and Filmmaking
Writer Sebastián Martinez Diaz examines how time loop comedy 'Groundhog Day' intertwines with ...
