Features The Sensitive Side of ‘What We Do in the Shadows’ Laszlo Cravensworth An analysis of What We Do in the Shadows Laszlo Cravensworth and what audiences can learn from ...
Features In ‘Pachinko,’ the Colonial Past Becomes the Corporate Present The Apple TV+ show uses dual narratives to explore "corporate exploitation as an expansion of colonialism."
Features Standalone TV Episodes Are Making a Comeback A standalone episode is an episode of a series that contains a plot that begins and ends ...
Features ‘Madam Secretary’ and the Ethics of Aspirational Politics Cassie Mattheis explores how 'Madam Secretary' portrays a "people-over-politics" fantasy.
Features One More Time with Feeling: ‘Irma Vep’ and the Radical Remix of ‘Les Vampires’ Olivier Assayas' 'Irma Vep' miniseries "finds beauty in the fact that old things escape obsolescence by taking ...
Features Finding America in ‘Deadwood’ David Milch's 'Deadwood' tells the tale of America and "how people build institutions by way of self-interest."
Features ‘Single Drunk Female’ and the Truth About Sobriety An analysis and celebration of the series Single Drunk Female's depiction of sobriety and addiction.
Features The New Queerness of Young Adult Television The evolution of queer characters and LGBTQ+ representation in young adult targeted television series is explored.
Features Cassian Andor: Revolutionary Nathaniel Kim argues Cassian Andor's journey towards radicalization in 'Andor' reflects the paths of our real-world revolutionaries. ...
Reviews Review: ‘Wednesday’ Season 1 Jessica reviews 'Wednesday,' a scatterbrained YA misfire take on the beloved 'Addams Family' character with a redeemable ...