Reviews
Review: ‘Drive-Away Dolls’
Comparison may be the thief of joy, but Ethan Coen’s Drive-Away Dolls may ...
BFI London Film Festival
London Film Festival Review: ‘All of Us Strangers’
Loosely based on the Taichi Yamada novel, 'All of Us Strangers' explores what’s ...
Features
‘Bottoms’ Is Exactly What Queer and Trans People of Color Need
Sam Huang explores how Emma Seligman's 'Bottoms' revels in QTPOC joy and empowerment.
Reviews
Review: ‘Passages’
Ira Sachs' 'Passages' proves that "the concept of sexuality is messy and complicated ...
Features
Todd Haynes Welcomes the Outsider
Throughout his expansive filmography, Todd Haynes has explored being an outsider in various ...
Features
A Heist for Love: LGBTQ+ Representation in ‘Dog Day Afternoon’
Sidney Lumet's portrayal of a 1972 bank robbery-turned media circus is still relevant ...
Features
Close to You: Conditions of Friendship and Queer Peripheries
Lukas Dhont's narrative feature Close charges us to accept and appreciate love in ...
Film Festivals
SXSW Review: ‘Bottoms’
Bottoms revolutionizes sex comedies by being unapologetically queer, female, horny, and outrageously entertaining.
Film Festivals
Salem Horror Fest Review: ‘Guys at Parties Like It’
Guys at Parties Like It is amazing from a technical standpoint, but its ...
Film Festivals
Salem Horror Fest Review: ‘HeBGB TV’
While its sense of humor might not be for everyone, HeBGB TV is ...
