Features
‘Stranger Things’ & the Danger of Nostalgia
'Stranger Things' is a show at odds with a edgy portrayal of childhood ...
Features
Universal Abjection and Masculine Horrors in Alex Garland’s ‘Men’
Alex Garland's 'Men' recalls its horror predecessors to craft its universal, omnipresent masculine ...
Features
Kiyoshi Kurosawa: Alienation, Industrialization, and Digitization
The genre films of Kiyoshi Kurosawa are not just terrifying, they also expertly ...
Film Festivals
Tribeca Review: ‘The Black Phone’
Scott Derrickson's 'The Black Phone' focuses on "a feeling of desolation that refuses ...
Features
Finding Beauty in Horror: Objective Observation and Personal Taste
Chandler Bullock explores how beauty and aesthetics interact with a genre dedicated to ...
Features
Rakes and Romance: The Gothic Influences on DC’s ‘Hellblazer’
Jamie Alvey writes on the gothic horror influences on the initial run of ...
Reviews
Review: ‘The Outwaters’
Christian reviews horror film 'The Outwaters' directed by Robbie Banfitch, which uses found-footage ...
Features
Teachable Moments: A ‘Fear Street Trilogy’ Reflection
Dillon McFry tackles the thematic core of Leigh Janiak's 'Fear Street' Trilogy from ...
Features
Sam Raimi and the Blockbusters of Madness
In anticipation of his return to the director's chair, Thomas Mariani highlights the ...
Features
How Koji Shiraishi Creates Villains
Anthony Langley breaks down how Japanese horror director Koji Shiraishi crafts the development ...
