Reviews Review: ‘The Staircase’ Viewers might be fatigued by another lengthy true crime show, but 'The Staircase' still manages to be ...
Features Between the Devil and the Deep Blue Sea: How the Pirate Genre Portrays Queerness Masha discusses the portrayal of queerness in shows like 'Our Flag Mean Death' and Starz's 'Black Sails.'
Features The Double Enigma of Donald Glover and ‘Atlanta’ 'Atlanta' is "enigmatic, slippery, and infuriatingly paradoxical" — just like Donald Glover himself.
Features Renaldo, Sin La Y: Aroace Representation in ‘Los Espookys’ E. L. takes a personal look at horror-comedy series Los Espookys and its positive aroace representation in ...
Reviews Review: ‘Russian Doll’ Season 2 The much anticipated second season proves that through all of its focus on the past, 'Russian Doll' ...
Reviews Review: ‘Bridgerton’ Season 2 'Bridgerton' continues to play with familiar tropes, themes, and historical accuracy, creating a binge-worthy second season.
Features Interview: ‘The Tourist’ Composer Dominik Scherrer Rachel interview composer Dominik Scherrer about his work on 'The Tourist' and "his path into the world ...
Reviews Review: ‘And Just Like That…’ Cary reviews the 'Sex and the City' reboot 'And Just Like That...,' saying the series "should’ve been ...
Reviews Review: ‘The Book of Boba Fett’ Jon Favreau's 'The Book of Boba Fett' feels "mediocre at best" and "deeply uninterested in its titular ...
Features This World is a Veil: ‘True Detective’ Season One as a Post-Truth Neo-Noir 'True Detective' season one shows us that "real, objective truth is a shimmering sword slicing through that ...