BFI London Film Festival
Coverage of BFI London Film Festival
BFI London Film Festival
LFF Review: ‘Earwig’
Lucile Hadžihalilović's 'Earwig' is a "peculiar and beautifully unsettling" gothic horror that is "able to imbue the ...
BFI London Film Festival
LFF Review: ‘Compartment No. 6’
Kuosmanen’s 'Compartment No.6' is a "rather wonderful love story (of sorts)," that refuses the "traditional expectations of ...
BFI London Film Festival
LFF Review: ‘Mona Lisa and the Blood Moon’
'Mona Lisa and the Blood Moon' is a "gumbo of ideas, moods, and genres," but does little ...
BFI London Film Festival
LFF Review: ‘Boiling Point’
Philip Barantini’s 'Boiling Point' uses its one take style to "float between moments as a neutral observer" ...
BFI London Film Festival
LFF Review: ‘Nitram’
Justin Kurzel's 'Nitram' is "vacant" and has "no interest in the trauma of atrocities."
BFI London Film Festival
LFF Review: ‘The Worst Person in the World’
'The Worst Person in the World' is a "bewitching and enchanting film" that Joachim Trier's directing takes ...
BFI London Film Festival
LFF Review: ‘The Hand of God’
In his "semi-autobiographical" 'The Hand of God,' Paolo Sorrentino shows us what shaped him into the filmmaker ...
BFI London Film Festival
LFF Review: ‘Last Night in Soho’
Edgar Wright's newest, 'Last Night in Soho' expresses a deep love for the city of London that ...
BFI London Film Festival
LFF Review: ‘All Is Vanity’
Marcos Mereles' film about a film "crumbles under the weight of its grandest plans."
BFI London Film Festival
LFF Review: Lovers Rock
Steve McQueen's sensual, moving short film stands out as the emotional high of his highly anticipated 'Small ...