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Rory Doherty
Rory Doherty
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Film Festivals

Glasgow Film Festival Review: ‘Superior’

In its "exploration of blurred identities," 'Superior' "mirrors the work of Brian De ...
Film Festivals

Glasgow Film Festival Review: ‘Good Madam’

Jenna Cato Bass' 'Good Madam' is a "story of servitude, historical racism, and ...
Film Festivals

Glasgow Film Festival Review: ‘The Braves’

From Glasgow Film Festival, Volpé's 'The Braves' is a film about "friendship first" ...
Features

The Many Deaths of Gawain in ‘The Green Knight’

Gawain's death is inevitable in 'The Green Knight' — but it’s how he ...
BFI London Film Festival

LFF Review: ‘Nitram’

Justin Kurzel's 'Nitram' is "vacant" and has "no interest in the trauma of ...
BFI London Film Festival

LFF Review: ‘The Worst Person in the World’

'The Worst Person in the World' is a "bewitching and enchanting film" that ...
BFI London Film Festival

LFF Review: ‘The Hand of God’

In his "semi-autobiographical" 'The Hand of God,' Paolo Sorrentino shows us what shaped ...
A still from A Ghost Story, a white sheet with eyes standing in the middle of an abandoned building.
Features

Cosmic Unimportance in ‘A Ghost Story’

Rory Doherty reflects on the existential dread of David Lowery's 'A Ghost Story' ...
Features

I Don’t Think About You at All: What ‘Mad Men’ Taught Me About Twitter

Through 'Mad Men' Rory explore his relationship with Twitter, where you "compare your ...
Reviews

Review: ‘MLK/FBI’

Director Sam Pollard's documentary 'MLK/FBI' "convincingly unpicks the trust people have had for ...

Fantastic Fest Review: ‘Animale’

Fantastic Fest Review: ‘Will & Harper’

Fantastic Fest Review: ‘Apartment 7A’

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  • Features
    • Interviews
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    • Staff
    • Thank You
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Latest Posts

Fantastic Fest Review: ‘Animale’

Fantastic Fest Review: ‘Will & Harper’

Fantastic Fest Review: ‘Apartment 7A’