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Meabh Cadigan
Meabh Cadigan
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Reviews

Review: ‘Arrebato’ Remastered

Iván Zulueta’s 1979 cult film feels "oddly timeless" in the age of analog ...
Fantasia Fest

Fantasia Interview: ‘Hellbender’ Creators John Adams, Zelda Adams, and Toby Poser

Meabh speaks to the writer-directors of 'Hellbender' about witchcraft, family, and creating their ...
Fantasia Fest

Fantasia Review: ‘Hellbender’

Adams Family Films' 'Hellbender' is both "enchanting and frightening" and is the "next ...
Fantasia Fest

Fantasia Review: ‘The Righteous’

Out of Fantasia Fest, Mark O'Brien's 'The Righteous' "represents the beauty and terror ...
Fantasia Fest

Fantasia Review: ‘Baby, Don’t Cry’

'Baby, Don't Cry' "subverts the fantastical, star-crossed perfection of young love," and instead ...
Reviews

Review: ‘The Green Knight’

David Lowery's 'The Green Knight' is an "invitation to be the sole viewer ...
Features

Long Distance Film Festival: Present Shorts Program

The year's Long Distance Film Festival’s "Present" shorts program dives into “interconnectedness over ...
Features

The True God is Dead: ‘The Wicker Man’ and Modern Conservatism

Through its examination of virtue and moral panic, Robin Hardy’s 'The Wicker Man' ...
Reviews

Review: ‘A Nightmare Wakes’

'A Nightmare Wakes' is a fascinating, but "frankly disturbing", adaptation of Mary Shelley's ...
A film still from Portrait of a Lady on Fire showing one of the film's protagonists, Heloise, staring out at the ocean from the shore. She is turned away from the camera and far off from the lens of the viewer.
Features

Love, Tragedy, and the Gaze in ‘Portrait of a Lady on Fire’

'Portrait of a Lady on Fire' adapts the Greek myth of Orpheus and ...

Fantastic Fest Review: ‘Animale’

Fantastic Fest Review: ‘Will & Harper’

Fantastic Fest Review: ‘Apartment 7A’

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Latest Posts

Fantastic Fest Review: ‘Animale’

Fantastic Fest Review: ‘Will & Harper’

Fantastic Fest Review: ‘Apartment 7A’