Features March 13, 2024 In ‘American Fiction’ and ‘Shortcomings,’ Race is Only Half the Story You’d be forgiven if, judging solely by the film’s marketing materials, you thought American Fiction ...
Reviews February 29, 2024 Review: ‘Drive-Away Dolls’ Comparison may be the thief of joy, but Ethan Coen’s Drive-Away Dolls may not offer much joy ...
Announcements Film Cred Revue – Episode 40: 96th Academy Awards Nominations On this episode of Film Cred Revue, host Jael Peralta & returning favorite Red Broadwell examine the latest entertainment news ... Sara Sorrentino
Features ‘The Dreamers’: On Youth, Film, and Illusion Pacia reflects on Bernardo Bertolucci’s 2003 film 'The Dreamers' and its "meditation on ...
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Features ‘Crank’ is Electric, and It Will Never Be Made Again Mark Neveldine and Brian Taylor's 'Crank' is "one of a kind," and while ...
Features ‘Petite Maman’ and the Inner Child Pauline Sauz explores the comfort and healing that comes with the exploration of ...
Features I Don’t Think About You at All: What ‘Mad Men’ Taught Me About Twitter Through 'Mad Men' Rory explore his relationship with Twitter, where you "compare your ...
Features ‘10 Things I Hate About You’ and the Nuances of Being a Teenager Over 20 years later, '10 Things I Hate About You' and its complex ...
Features The Unexpected Pregnancy in ‘The Lost Daughter’ Maggie Gyllenhaal uses a little girl’s doll to highlight "two women coming to ...
Features ‘Stalker’: Searching for Meaning in Tarkovsky’s Philosophical Maze Guillermo examines Tarkovsky's sci-fi classic 'Stalker,' arguing that its search for meaning is ...
Features Groundhog Day: A Perfect Symbiosis Between Philosophy and Filmmaking Writer Sebastián Martinez Diaz examines how time loop comedy 'Groundhog Day' intertwines with ...